Striking for both its scale and symbolism, this rare Botolo hat from the Ekonda people of the Democratic Republic of the Congo is distinguished by the presence of not one, but two prominent brass discs affixed to its richly tiered silhouette—each disc a gleaming symbol of rank, lineage, and spiritual authority. Collected in Kinshasa in the early 1970s from a young prince of an esteemed ruling family, this ceremonial piece is one of the most architecturally balanced and ornamentally complex within the collection.

Constructed of tightly woven vegetal fibers, the form ascends in progressively narrowing circular brims, recalling the structure of a stupa or celestial totem. The brass medallions, unusually abundant, serve not only as indicators of immense wealth but also of ancestral connectivity, echoing the triadic cosmology common across central African traditions—earth, ancestor, and sky. Their scalloped and textured edges, especially on the lower disc, offer a glinting interplay of light and shadow under ritual firelight.

Of particular rarity is the lower base, ringed with a bold geometric tapestry pattern woven directly into the fiber—a motif likely referencing protective cosmograms or elite clan symbolism. This embellishment anchors the headdress in the visual lexicon of sacred regalia and public ceremony.

As detailed by Biebuyck and Van den Abbeele (The Power of Headdresses, 1984), such hats are reserved for public appearances of the Nkumu (chief), marking life transitions, judicial pronouncements, and rites of passage. The tri-disc formation may have denoted an extraordinary consolidation of political, spiritual, and economic power.