Minimal in form but immense in symbolic weight, this rare Botolo hat from the Ekonda of the Democratic Republic of the Congo features only three tiers, yet its authority is unmistakably asserted by the presence of a silver-toned pendant suspended from a twisted fiber cord. Acquired in Kinshasa in the early 1970s from a young Ekonda prince, this example offers a deviation from the standard form, likely reflecting a specialized role—possibly linked to judicial authority, sacred oaths, or ancestral edicts.

The truncated verticality of the hat—composed of three gradually widening brims—echoes the Ekonda belief in the triadic nature of existence: the living, the ancestors, and the unborn. The fiberwork is layered and textured, bearing a lacquered sheen likely resulting from ritual oiling and prolonged storage in smoke-rich ceremonial enclosures. The base is wrapped in red cloth, suggesting protective or initiatory symbolism, reinforcing the authority of the wearer in liminal rites.

The most distinct feature of this hat is the metallic pendant—a silver-hued, rectangular plaque with finely incised linear motifs and ribbed textures. Unlike the rounded prestige discs typical of Botolo headdresses, this talismanic form may have functioned as a spiritual declaration—signaling the chief’s role as the bearer of ancestral law or cosmic decree. It may have even marked the hat as a relic of oath-bound leadership or secret society rank.

As documented in Crowning Achievements: African Arts of Dressing the Head (Perani, 1997), accessories attached to ritual headwear were often meant to invoke or reaffirm spiritual contracts between the wearer and the cosmos.