This arresting Botolo hat—rising in nine carefully proportioned tiers—is a testament to the spiritual geometry and celestial consciousness at the heart of Ekonda leadership tradition. Acquired in Kinshasa in the early 1970s from a young prince of royal descent, it reflects the cosmic role of the nkumu (chief) as an earthly extension of divine order. The visual harmony of the form is amplified by a striking, star-embossed frontal disc and base wrapped in wave-like dyed motifs—evocative of water, wind, and ancestral movement.

The number nine is significant within central African cosmologies, often associated with visionary insight, spiritual mastery, and the final stages of human transformation before one becomes fully ancestral. The nine concentric brims here can be read as metaphoric steps in a metaphysical ascension—each tier a passage toward increased wisdom and spiritual elevation.

The frontal metal disc, marked with a repeating triangular star pattern, reinforces its cosmic symbolism. It not only denotes wealth and chieftaincy but also echoes the radiance of the sun, a celestial force venerated across Bantu-speaking regions. This disc, worn during major public rituals, would catch the light, reflecting the chief’s connection to both ancestral knowledge and natural forces.

The lower skirt is woven with dyed ochre and white arc patterns—possibly referencing river flows or lunar phases—underscoring the cyclical philosophy at the root of Ekonda worldview: life is not linear, but circular, recursive, and eternally renewing.