This powerful Botolo hat from the Ekonda people of the Democratic Republic of the Congo presents a compressed yet dignified verticality, ascending in seven firm tiers capped with a striking brass disc etched in a radiating star motif. Acquired in Kinshasa in the early 1970s from a young prince of prominent lineage, the hat embodies both sacred compactness and ceremonial grandeur—a regalia piece meant for both presence and movement in public ritual.

Seven tiers mark a complete cycle in many African cosmologies: life’s arc from birth to rebirth, the days of creation, the journey of the spirit through layers of understanding. In Ekonda philosophy, seven-tiered Botolo hats are associated with transitional rites and generational inheritance, making them ideal for chiefs assuming new roles or for rituals honoring ancestry and divine guidance.

The craftsmanship here is impeccable. The brims are slightly flared, giving the form a dynamic rhythm, while the fiberwork is tightly coiled and patinated from age and ritual oiling. The lower portion bears a faded but still readable pattern in pale pigment, likely referencing clan marks or symbolic animal motifs. The frontal brass medallion—with its zigzag star border and central pin—enhanced the visual impact of the wearer during dance, council, or proclamation ceremonies.

As referenced in Crowning Achievements: African Arts of Dressing the Head (Perani, 1997), African headdresses often served as cosmograms—portable spiritual maps. This piece’s symbolic clarity and compact majesty make it a rare fusion of functionality, philosophy, and prestige.