This “Nchakabwiin” skirt features a juxtaposition of fabrics in alignment with a specific motif. It is composed of square or rectangular fabrics that are stitched in tandem lengthwise in such a manner that foregrounds the unity of the panels and their lateral motion. This motion is established by alternating the dyes of black and red, or by combining panels of different dimensions. Interestingly, the patterns are in no specific order, yet illustrate their mutual relationship along the diagonals. REFERENCES: Hilu, Sam. 2002. “Textile Art of the Bakuba: Velvet Embroideries in Raffia.” New York: Shiffer Publishers.